Miniature from a copy of Sadi’s Bustan. ‘The Dervish from Faryab Crosses the River on his Rug,’ attributed to Habiballah
Iran, Isfahan; c. 1600-1608
Leaf: 28.5 × 18.5 cm
Inventory number 11/2016
In his Bustan (The Flower Garden), Sadi described an amazing experience that he had on a ferry. While the author paid for his journey, an old dervish from the town of Faryab did not have the money and was left on the riverbank. As the boat made the crossing, Sadi heard laughter in its wake. It was the dervish, sailing over the river on his prayer rug.
In this rendition, the ferry is shown as a western carrack, with Sadi dressed in a green caftan and standing in the bow. The page comes from a manuscript calligraphed by Mir Ali Haravi in Herat in 1526. At this point, the volume evidently had only a few illustrations, while others were added later in a style in keeping with the original ones.
The richness of detail on this painting harks back in time, though the young man standing next to Sadi is wearing a turban typical of the Shah Abbas period (1571-1629). This shah was responsible for the completion of the manuscript, and the stamp at the top shows that it was donated to the family sanctuary in Ardabil in 1608/1609.
In this rendition, the ferry is shown as a western carrack, with Sadi dressed in a green caftan and standing in the bow. The page comes from a manuscript calligraphed by Mir Ali Haravi in Herat in 1526. At this point, the volume evidently had only a few illustrations, while others were added later in a style in keeping with the original ones.
The richness of detail on this painting harks back in time, though the young man standing next to Sadi is wearing a turban typical of the Shah Abbas period (1571-1629). This shah was responsible for the completion of the manuscript, and the stamp at the top shows that it was donated to the family sanctuary in Ardabil in 1608/1609.
Published in
Published in
Christie's, London 21/4-2016, lot 100;
Kjeld von Folsach, Joachim Meyer: The Human Figure in Islamic Art – Holy Men, Princes, and Commoners, The David Collection, Copenhagen 2017, cat. 31;
Joachim Meyer, Rasmus Bech Olsen and Peter Wandel: Beyond words: calligraphy from the World of Islam, The David Collection, Copenhagen 2024, cat. 119, pp. 290-291;
Kjeld von Folsach, Joachim Meyer: The Human Figure in Islamic Art – Holy Men, Princes, and Commoners, The David Collection, Copenhagen 2017, cat. 31;
Joachim Meyer, Rasmus Bech Olsen and Peter Wandel: Beyond words: calligraphy from the World of Islam, The David Collection, Copenhagen 2024, cat. 119, pp. 290-291;
Miniature Paintings
Partly colored drawing pasted on an album leaf. ‘Young Prince with Brands on his Arm’
A copy of Mansur ibn Ilyas’s Tashrih-i mansuri (25 hand-written + 10 printed leaves). First shown leaf: Fol. 11r, Man seen from behind
‘The Constellation Gemini’. Miniature in an illustrated copy of al-Sufi’s Kitab suwar al-kawakib (The Book of Fixed Stars)
Colored drawing pasted on an album leaf. ‘An Old and a Young Man and a Woman Having a Picnic.’ Attributed to Muhammad Ali