Fritware mihrab tile, molded and painted in a white slip and in blue, black, turquoise, and manganese under a transparent glaze
The mihrab, the niche found in mosques and other buildings to show the direction of Mecca, is often decorated with arabesques. This has led some to believe that the arabesque, which in principle can be extended infinitely, can be considered a symbol of God’s omnipresence. While an interpretation like this might be reasonable here, it would hardly be true in the many other contexts where the arabesque is used in Islamic art.
In the central rounded niche, the arabesque forms a complicated and strictly symmetrical pattern in several layers, dominated by split leaves. The frame around it holds two mirror-image arabesques on each side that are interwoven into a quatrefoil above the pointed arch.
In the central rounded niche, the arabesque forms a complicated and strictly symmetrical pattern in several layers, dominated by split leaves. The frame around it holds two mirror-image arabesques on each side that are interwoven into a quatrefoil above the pointed arch.